
The pelican's eye and some of its bill has been painted.
"Crockett" is finished. This is a 5"x7" commissioned acrylic painting on 140 lb. watercolor paper. The color here is not as red as previous photos of the progression because a camera was used to capture the image instead of a scanner as was the case in the previous images. This is closer to the true color.
This is an acrylic painting (in progress) of a pack train in the Bob Marshall wilderness. The saw was first cleaned, then primed with several coats of primer and a couple of coats of acrylic gesso. The drawing was laid out and an undercoating of a warm mid-tone of acrylic was painted in. This layer is a light brick red which can still be seen on the foreground hill. The mountains and creek bottom are the areas that are complete.
Here is the background for my next acrylic painting which is 12"x24". I got this look by painting the background black and brown. After that dried, I used a sea sponge to dab on a mixture of colors: greens, grays, browns, off-white. I sprayed water on it to allow the colors to mix. You have to be very patient and not disturb the paint as it dries. Let it do its thing and this is what you get.

These silk scarves are almost finished. All that is left is to take them to the dry cleaner to remove the gutta resist. If I do more dying in the future, I think I will try other types of resist that don't require dry cleaning to remove them.
After the gutta dried overnight, I applied a couple layers of dyes. I scrunched up the fabrics, dabbed the fabrics into dye and sprayed with a water bottle to distribute the colors. Using two complimentary shades and randomly distributing the colors gave the silk interest and visual texture.

While I had the dyes out, I thought maybe I should try my hand at dying a couple of silk scarves. My mom is a quilter and dyes her own fabrics so I borrowed supplies from her. I dampened my two scarves and dabbed dye on them, one with green and blue, one with purple and blue. I wanted this layer to be light in color. After this pastel layer dried, I added a clear gutta resist by outlining
leaves from my yard. This leaf outline should retain the pastel color as I add the next layer of color.
After looking at this for a week and after consulting with my client, I made some adjustments, most of which were fairly minor. The most obvious change was to the shadow-side of his face. The dark shadows have been lightened in places and the reflected light has been darkened. "By the Bitterroot" is 11"x14" acrylic on stretched canvas.
"By the Bitterroot" is nearly complete. Even when I think I'm done, I can always find something else to adjust. After photographing the painting and putting it on the computer, I can see that his chin needs more definition.